A Literary Micro-Press

Michael G. Williams

NEW RELEASE! WRAPPED IN BLACK: Thirteen Tales of Witches and the Occult

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WRAPPED IN BLACK

Thirteen Tales of Witches and the Occult

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That least understood and most variable of supernatural personae, The Witch, remains a source of fascination and fear the world over. They walk among us, plying their skills, stealing our hearts -and perhaps other pieces of us- for purposes known only to them. In this boiling brew, you’ll taste not only eye of newt and wing of bat, but wrathful scorn, summoned spirits, and pierced veils that bleed wonders dark and delicious. Straddle the whisk and travel the worlds of Witchcraft, Voodoo and eleven worlds ‘twixt. But be careful not to fall…in love or into the abyss.


HAIR SHIRT DRAG by Gordon White
Despite their power, the women of the Overhold family have gone to great lengths to be accepted by the rest of the town. As the coming out party for a new generation draws closer, however, it seems that some people might never fit in.

COMES THE RAIN by Gregory L. Norris
In 1961, a family is trapped at a rural farm. As their powerful matriarch lingers close to death, storm clouds gather over the house, and a powerful evil force descends, seeking vengeance.

NUMBER ONE ANGEL by Allison M. Dickson
Louise would do anything for Phelan, the mysterious new man in her life, but one woman stands in the way: her insufferable mama. But with just one dark act, one nasty little favor for Phelan, Mama won’t be anyone’s problem anymore, and Louise will win her place as Phelan’s most special girl.

UNTO THE EARTH by Patrick C. Greene
Landon loves his beautiful Haitian wife, Agnes, even finding her devotion to voodoo charming, with its positive-minded rituals that seem more like play-acting than actual ceremony.

HÄXENHAUS by Nick Kimbro
In 17th century Germany a man and his wife have lost a son. The culprit: witchcraft. When a strange black dog follows them home from where the witches are being interrogated, however, it might be just the fresh start needed to help them cope with their grief.

STORIES I TELL TO GIRLS by Michael G. Williams
Auntie Ann is the revered elder of The Book People, a coven of witches drawing power from the written word. Begging for their help, a dashing and sorrowful figure from the distant past reminds them the wise and unshakable crone was once a maiden.

THE RISING SON by James Glass
Cal had been an easy-going man until the night the woman he loved showed up to his secret society’s party with Crowley. Fueled by jealous rage, Cal did the unthinkable, summoning much more than the demon he had intended.

BEAUTIFUL, BROKEN THINGS by Rose Blackthorn
Trey has made plenty of mistakes in his life, and now he’s paying for them. A random meeting with a strange woman who seems to know more about him than is possible will change everything, and give him the possibility of getting back the most precious thing he has lost—the one person who really meant anything to him.

NOT THIS TIME by Mike Lester
Blood is thicker than water, so the saying goes…and sometimes the bonds of blood even outlast the grave…

INTO THE LIGHT by Solomon Archer
Elliot, a lonely transplant in rural Kansas, finds friendship with a dangerous group enthralled by an ancient power thirsty for sacrifice. With his sanity and the lives of those he loves on the line, Elliot decides the only way out is to take on a force far greater than nature itself.

SHE MAKES MY SKIN CRAWL by Shenoa Carroll-Bradd
Jamie’s wife is beautiful, passionate, and exotic, but sometimes her jealousy gets the better of her. And when it does, she punishes him in ways he never thought possible.

PIGEON by Eric Nash
Maddie followed the path straight to the Goddess; she knew the Goddess took care of her own.

PIG ROAST by Aaron Gudmunson
To boorish, boring Chet, food is everything–especially when it’s slathered in mustard. When he meets a beautiful woman who claims to be a master mustard-maker, he thinks all his dreams have come true… but as everyone knows dreams can swiftly become nightmares.

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STORIES I TELL TO GIRLS by Michael G. Williams

WrappedinBlack NEW COVER

excerpt from

WRAPPED IN BLACK

Thirteen Tales of Witches and the Occult

WrappedinBlack NEW COVER


STORIES I TELL TO GIRLS
by Michael Williams

“I’m not trying to pry, Auntie Ann,” Maria said to the crone of the Book People, lying badly and showing the disregard for it of young people everywhere. “But why don’t you ever tell us stories about your life?” She asked it with that infuriating innocence of youth, the way a child can go straight to the heart of the hidden.
Lorraine, high priestess of the Book People, froze at the half-open library door.
Auntie Ann as usual said nothing. Lorraine had heard Auntie Ann speak many times but for a specific reason: the older woman was trying to pass on what she had learned in her many years of crafting magic, preparing Lorraine for when she would become the coven’s crone.
That was what the Book People were: a coven working magic through the written word. As the wheel of the year turned they gathered together, trespassing at some library or another to reach into the vast expanse of condensed intention; to make meaning out of the cast dice of a billion words. They broke the law to do their work because magic often requires a sacrifice. The Book People set their own respectability before the gods as an offering they were prepared to burn.
This night, however – Halloween, or Samhain, or any number of other names –the Book People were on their own turf: a little branch library near the tiny town of Pittsboro. Technically they were trespassing there, too, but they had found a key, left out as though just for them, and they took it as a special kind of blessing.
“Is something wrong with the door?” Warren was the scribe, recording their rituals in a great tome he carried.
“No,” Lorraine said. “Just… thought I heard something.” Maria asking Auntie Ann about her past, tonight – this night, when the dead were close enough to touch with the lightest of effort… A chill ran up Lorraine’s spine. Dressed in her usual array of spandex-cotton blends, Lorraine looked the part of the mother of the group, ready to cheer on a soccer league or pilot a mini-van straight into outer space. She felt ice in her heart, though. Maria, the energetic young maiden, had a way of being the first one to stumble onto something and last to understand its significance.
“I just feel like we could learn a lot from you,” Maria said. She smiled, but it was coy.
Auntie Ann’s voice cracked when she spoke, like a piano that hasn’t been played in too long. “I try not to dwell on what’s dead and gone. It has a way of showing back up if it thinks it’s been invited.”
Maria’s eyes lit up with the flame of curiosity almost rewarded. “Oh, but please? Please tell us one story? Just one?” Maria’s pleading eyes turned to Lorraine for just a second. “I bet you’ve told Lorraine all kinds of stories.”
“Oh, girl.” Auntie Ann let out a great big breath with a lot of years behind it. “There are stories I tell to women,” she said, “And stories I tell to girls.” She smiled, though. “And you are still a girl.”

Read the entire story in

WRAPPED IN BLACK: Thirteen Tales of Witches and the Occult

RELEASE DATE: October 18, 2014


Michael G. Williams is a native of the Appalachian Mountains and grew up near Asheville, North Carolina. He describes his writing as wry horror or suburban fantasy: stories told from the perspectives of vampires, unconventional investigators, magicians and hackers who live in the places so many of us also call home. Michael is also an avid athlete, a gamer and a brother in St. Anthony Hall and Mu Beta Psi. You can find him here: http://www.robustmcmanlypants.org/perishables/ and here: https://www.facebook.com/perishables.novel


Wrapped In White: Thirteen Tales of Spectres, Ghosts, and Spirits

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from the creators of  WRAPPED IN RED

WRAPPED IN WHITE

Thirteen Tales of Spectres, Ghosts, and Spirits

(meet the authors here)

Tragedy begets terror, then circles back on itself, and a cycle is born that ripples through the worlds of the living and dead eternally, until satisfied by love, tears–or blood…

The creators of Wrapped In Red have struck again, unfurling thirteen gossamer shrouds of woe and weirdness, laying bare the faces of fear that watch and wait in the shadows of cemeteries, the corners of ancient structures, the thoughts we wish we didn’t think . Some will crawl under your skin, some will batter you senseless with limitless otherworldly power, others will walk a line as thin as the veil between us and them.

Leave the lights on for this collection–but know that no precaution will keep its tales from haunting you even into the noonday sun…

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Coming Soon! WRAPPED IN WHITE: Thirteen Tales of Spectres, Ghosts, and Spirits

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COMING MARCH 25, 2014

from the creators of  WRAPPED IN RED

WRAPPED IN WHITE

Thirteen Tales of Spectres, Ghosts, and Spirits

CLICK to view the book on Goodreads

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Author Spotlight – Michael G. Williams

Michael G. Williams is the author of the short story DADDY USED TO DRINK TOO MUCH in the

NEW Vampire Anthology

WRAPPED IN RED.

He is also the author of PERISHABLES and TOOTH & NAIL  (The Withrow Chronicles).

Michael G. Williams

Excerpt from:

Daddy Used to Drink Too Much

Percy came to me for the first time when Mama had been dead for sixteen days.
She’d waxed and waned like some consumptive moon for years, chasing normal life just like a cat after a string. One day in the middle of what had been a pretty good spell she said she felt real weak. That night I watched her eyes go blank while the sun set. She let out a long breath like a chain clanking and that was that. I’d never seen a person die but I could feel her go when she did.
Daddy walked over the hill to town for a preacher. When they returned the next afternoon I’d washed Mama and wrapped her in a sheet. Daddy dug the grave that night while the preacher and I sat with her. The reverend fell asleep eventually but I stayed awake all night listening to the shovel strike earth, out in the clearing beyond the creek, down a hole that could never be big enough to contain our grief.
I was sixteen so I basically ran the house already with all the time Mama spent sick. Daddy and I went through the motions for a few days without saying much, following our habits in heavy silence. Mama and Daddy grew up together in a little town over the mountains between Tennessee and North Carolina. There’d been bad blood between their people so they ran away. Mama and Daddy went southwest along the ridges, up and down old logging roads, until they found a place without any opinions about them at all.
Town was most of a day’s walk on deer trails and abandoned mining or logging roads. Times were bad all over in the Depression but worse than anywhere up in Appalachia. Daddy found work for a while with a logging operation but it closed so he was stuck doing odd jobs. Mama would sew now and again. When her hands were steady she’d tat lace flowers twice as pretty as the real things. Mama would mail them to a store in Asheville; a few weeks later the store would mail her a little money after the tatting sold. Sometimes they’d send colored thread and a special request. Mama would always fret over those custom orders the most but she’d be so proud when she was done. We were all good with our hands, good at making things and doing for ourselves. I learned as much as I could from her as a little girl, before sickness crept in one bloodied handkerchief at a time until Mama was frail and tired. I read, too. Every Christmas and every birthday I’d get new shoes and books. Sometimes Mama would get books mailed to her from that store in Asheville. On warm evenings I’d sit out front under a tree and read of things that could never happen set in places far away.
Mama and Daddy were both pretty free with how I was permitted to spend my time, what I could read, how I could think. They ordered me books from all over, grownup books from distant places. Mama said they didn’t want to keep me ignorant the way they’d been kept. There was one thing absolutely forbidden me: Daddy was always clear that he wouldn’t have spirituous drink in the house. Sometimes he’d get worked up and rant about it. When he wasn’t around once, I asked Mama why. “Daddy used to drink too much,” she said. Her voice was quiet even though he was down the hill working in the corn. “He gave that up when we got together. Him and me, we saved each other from a lot of things by coming here. He’s trying to save you from it, too.”
I went to a school down the hollow, an hour’s walk away, when Mama was doing well and they could spare me. Daddy would always ask me when I got back if there were boys at school who were “troublemakers or drunkards”. He’d warn me that most young men only want one thing and they’d use liquor to get it from me. He never said what it was but I had books aplenty to tell me that.   READ MORE

Michael G. Williams is a native of the Appalachian Mountains and grew up near Asheville, North Carolina. He describes his writing as wry horror or suburban fantasy: stories told from the perspectives of vampires, unconventional investigators, magicians and hackers who live in the places so many of us also call home. Michael is also an avid athlete, a gamer and a brother in St. Anthony Hall and Mu Beta Psi.

Michael’s INTERVIEW with Fiona Mcvie

Name Michael G. Williams

Age     Physically 39, mentally 23.

Where are you fromI was born near Asheville, NC, and live in Durham, NC.

A little about your self…

I grew up in a very rural area surrounded by shadowy woods and oddball characters and, though I moved as far away as I could manage the second I had the opportunity, I am extremely grateful for that upbringing. The middle of nowhere is both sheltering and smothering. In college I became a brother in St. Anthony Hall and a brother in Mu Beta Psi, both of which did a lot to encourage creativity. I have a degree in Performance Studies from UNC Chapel Hill and work in information security. I’m a professional geek, which is a lot like being a very specialized type of plumber. It demands a type of creativity very different from writing, which I find is important to having anything left to devote to my work.

Fiona: Tell us your latest news?

My very latest is that my short story “Daddy Used to Drink Too Much” will be featured in Wrapped in Red: Thirteen Tales of Vampiric Horror from Sekhmet Press. This has been an extremely productive year for me overall: I published a short story on my own, published Tooth & Nail (the sequel to my first novel,Perishables) and have a short story titled “The Several Monsters of Sainte-Sara-La-Noire” in the recently-released Theme-Thology: Invasion from HDWP Books.

Fiona: When and why did you begin writing?

Storytelling is highly valued in my family and in traditional Appalachian culture in general. I was listening to people relate oral histories as a tiny child and wanted to get in on the action. I tried to write a novel in third grade. It wasn’t very good, but it was a lot of fun. I was lucky enough to have some teachers who really encouraged me, very early on in life, so by the junior high school I was really trying to mimic my favorite writers and explore different ideas. Again, I’m not saying they were great – I was no savant – but I was doing my adolescent best.

Fiona: When did you first consider yourself a writer?

I considered it an important hobby by age 14 or so. I started calling myself a writer, however, when I started doing National Novel Writing Month and was really working to accomplish long-form stories and challenging myself to work across different genres. That was in my late 20’s. Prior to then it was something I enjoyed but not something I considered myself always to be doing. NaNoWriMo really put me in a mindset of always being preparing for the next project. That made a huge difference in my thinking.

Fiona: What inspired you to write your story?

“Daddy Used to Drink Too Much” is based in part on a desire to see the other side of a vampire story: the perspective of the people who are victims, the people who have to try to put their lives together once the Count is sated and goes on his merry way. Vampire tales are often encrypted stories of abuse, of personal relationships (sexual or otherwise) fouled by power disparities and of the corrupting, intoxicating nature of that power. Lots of works derive their horror from a close study of the monster and I wanted to focus instead on the humans who may find themselves just as monstrous in their own way.

Fiona: Do you have a specific writing style?

Almost everything I write is genre fiction, usually some flavor of vampire or detective story or, when I’m really feeling it, vampire detectives. I also write the occasional science fiction story. I enjoy literary fiction but genre fiction is also literature and it’s way more enjoyable to write. I also write almost exclusively in first-person. It’s much easier for me. It lets writing be a role-play exercise and I find myself just as surprised by the ending as the characters are.

Fiona: How did you come up with the title?

Titles are very, very important to me. I almost always have a title before I have a story. The title is something about which I’ll do a little brainstorming and then I’ll let it bake until one pops into my head. The rest of the story is informed by that title. I knew for this anthology, for instance, I wanted to write a vampire story set in Depression-era Appalachia. It was a setting I hadn’t explored but of which I’d heard many stories from relatives. I knew right away I wanted the title to feel a little colloquial to reflect the rural setting and to give it the right ambience. The word “daddy” occurred to me right away so I let that sit for a day or two as various phrases cropped up: “Daddy Won’t Wake Up” was one that came to mind but for which I didn’t have a story; “Daddy Darkness” was another; “Fetch Daddy a [Something?]” was another. Eventually the phrase “Daddy Used to Drink Too Much” came to mind. I liked it, and it immediately suggested the question of to whom it could be attributed. That got me thinking about a narrator and the story blossomed from there.

Fiona: Is there a message in your story that you want readers to grasp?

We are not the sum of our errors, nor are those we love cursed to bear them for us.

Fiona: How much of the story is realistic?

A great deal of it, actually. The notion of a family tucked away high in the mountains in a stagnant economy with little but one another and their overshadowing past is no feat of fantasy. There are elements drawn from my own ancestors’ biographies.

Fiona: Are experiences based on someone you know, or events in your own life?

Hmmm. Given the content of my story, I think maybe I should plead the fifth on this one. Heh.

Fiona: What books have most influenced your life most?

Reading Dracula in seventh grade was absolutely life-changing. The epistolary format and the notion of friendship and trust overcoming the looming darkness were incredibly important to me. It made me seek out close friends with whom I could create strong bonds and it made me want more stories about how big concepts or larger-than-life characters could impact the individual experiences of baseline humans. It’s a very personal novel, in terms of the characters and the narrative arcs they experience, and that gives it its power.

On the other hand, reading Foundation in college was also perspective-shifting. It’s a story about how whole societies can be affected by one small person at a time. Over and over again, Asimov’s stories are about how the fates of entire civilizations are decided in small moments by exceptional but entirely believablepersons. They are amazing reading and they definitely inspired me to activism.

Fiona: If you had to choose, which writer would you consider a mentor?

If I could attend a writing workshop with any writer, it would be Terry Pratchett. He creates such compelling characters and his stories are so driven by their motivations rather than by arbitrary events, but he has this incredible ability to keep the world alive and changing and tell a huge, overarching story over many, many novels. I could read his books over and over again for the rest of my life.

Anne Rice has to be the substitute teacher on days Sir Terry is under the weather, however.

Fiona: What book are you reading now?

Real talk, here’s my currently-reading list:

Monsters of the Gévaudan: The Making of a Beast (Jay M. Smith): non-fiction about a completely real werewolf scare in early-Renaissance France.

Food for the Dead (Michael E. Bell): non-fiction about completely real vampire scares in 19th century New England.

The Black Knight Chronicles (John Hartness): humorous and adventurous vampire fiction set in NC.

Pirate’s Honor (Chris A. Jackson): fantasy adventure fiction set in thePathfinder world and written by a really nice guy who lives on an actual boat.

House of Leaves (Mark Z. Danielewski): exceptionally good multi-format literary horror.

Junius and Albert’s Adventures in the Confederacy (Peter Carlson): non-fiction about two journalists who traveled south during the Civil War.

The Savage Tales of Solomon Kane (Robert E. Howard): classic tales of the renegade Puritan on a mission to scrub the world of injustice, mostly by stabbing it.

Operation Trojan Horse (John Keel): delightfully crazy ideas about the nature of all sorts of paranormal phenomena, UFOs and other bits of weirdness cropping up in the experience of humanity to exhibit highly irrational behaviors. Excellent reading for anyone who needs to refill their tanks with the truly weird.

That’s just the tip of the iceberg. I’m usually “currently” reading anywhere around a dozen books. It takes me forever to finish one, yes, but I have to be able to flit between them. We don’t get our ideas from nowhere. We get our ideas from what we consume and digest and so we must always be consuming if we want always to be producing.

Fiona: What are your current projects?

Right now I’m mostly working on editing Deal With the Devil, the third novel inThe Withrow Chronicles, my vampire series set in the small-town and small-city South. It’s a five-book arc in which I tackle different genres by inserting into them a misanthropic gay vampire from the 1940’s who lives in suburbia. I love writing Withrow and I love getting to play around in suburban fantasy (as opposed to urban fantasy). It started with Perishables (a zombie story), thenTooth & Nail (vampire novel) and now Deal With the Devil is a superhero book. The fourth will be a spy novel titled Attempted Immortality and the fifth will be a war story titled Nobody Gets Out Alive.

I’m also crazy excited about the anthologies I’m in this autumn. Wrapped in Redand Theme-Thology: Invasion both consist of really incredible stories.

Fiona: Name one entity that you feel supported you outside of family members.

St. Anthony Hall (also known as the Fraternity of Delta Psi), hands down. My brothers and sisters are a community of people who believe in one another and the ideas of one another. It challenged me to think for myself, to defend my conclusions and to seek new ways to present myself.

Fiona: Do you see writing as a career?

No, I see it as a vocation. It isn’t just what I do, and I’m not sure it will ever pay the bills, but it’s what I feel I should do.

Fiona: If you had to do it all over again, would you change anything in your latest book?

Only a couple of hundred thousand things, I’m sure. I have never met the writer who was truly satisfied with a story, no matter its publication status. That’s one of the skills we have to develop as part of our craft: we have to learn when to type THE END and let it go so we can move on to the next idea. Some creators never figure that out. It was one of the first big unexpected temptations I experienced in self-publishing: realizing I could go back and “fix” the Kindle edition of a novel any time I felt like it. I’ve had to be very strict with myself.

Fiona: Can you share a little of your current work with us?

From “Daddy Used to Drink Too Much”:

It was a high, lilting tune and in my mind I always saw a lonesome figure tracing some far horizon as they made their way from this world to the next. The boy’s voice was as pure as an angel’s and I barely breathed as he neared the house. I hadn’t thought on that song in years but it seemed to have been written just for me.

The singer–Percy–emerged from the woods singing one of the last lines:I want to shout salvation’s story in concert with the blood-washed band. He looked about my age with long orange hair and pale skin gone silver in the moonlight. He wore dark clothes and an old gray cloak called an Inverness coat. It had a coal company logo on it in bright white stitching. Percy was thin, like he’d snap in a strong wind. He smiled at me. His canine teeth were bone white, sharp and long as the blades on a pair of sewing scissors.

I knew exactly what he was, from books.

From Deal With the Devil:

A couple of other vampires and I were watching the local youth ballet perform Dracula in hypnotic slow motion when a perfectly pleasant autumn turned into a whole heap of trouble. It started with a scent: the faint but distinct sickly sweet bloodstench of a fellow predator – another vampire, one I didn’t recognize – in an auditorium I’d expected to hold only humankind. One sniff sent the hairs on the back of my neck straight to standing and I groaned to myself in over-privileged complaint. I’d gone there to get a little culture and found politics in its place.

The ballet performance was good but not great. To be honest, that’s one of the things I liked best about it. At human speeds of perception it probably looked fine enough, maybe a little rickety in the way of every event staged for proud parents and nervous instructors. Ground to a supernaturally slow pace, that same ballet performance took on a poetry improved by its imperfections. A child – a teen, but gods: a child! – was skillfully yet inexpertly donning the mantle of that classic monster and I loved every second of it. The best art speaks to something universal and at the same time to something deeply felt and personal: Faulkner’s tales of familial claustrophobia, a lasting pop song, painted landscapes that snare the viewer’s mind by rearranging all the colors and textures of their local palette into somewhere familiar they’ve never been. These kids were doing the same with the archetypes of predator and prey.

The teenager in the title role was depicting a monster we’d all seen a hundred times, sure, but he was also showing us himself as a monster: how it would look one day when he would stalk one or another type of prey. That probably didn’t occur to the average mom or pop in the audience but their children were on stage hunting and fearing and slaying one another to the applause of those who loved them and it was important – it was art – not just because of the skill or the time they’d invested in it but because they too would one day face monsters and chase each other and they would maybe kill or be killed. These children were dancing us a dream of the nightmares that kept them awake into the gray hours and so too their society. In wide arcs and graceful swoops – and trembling embraces and slightly staggered tempos – their frail vitality contrasted the inevitability of vitality’s end and I reveled in that irony.

Fiona: Is there anything you find particularly challenging in your writing?

I’m terrible at outlining and at plotting things out in advance. I tend to jump into the idea, mid-scene, and see what happens. I’m always terrified my story is going nowhere as a result but so far it’s worked out and it seems to be a necessary part of my process. The occasions on which I’ve tried to outline have large been exercises in measuring in how many syllables of written text I would utterly diverge from the planned outline.

Fiona: Who is your favorite author and what is it that really strikes you about their work?

Favorite? As in, one? Oh, I can’t. Let’s try three:

I am in constant awe of William Faulkner for his incredibly personal and unflinching stories of the good and the bad of life in a small town. The Sound and the Fury is a book every writer should read. Every single writer, bar none, even if they don’t like him, needs to read that book. It has taught me volumes about getting inside the heads of different characters.

Another of the ties for first is Anne Rice. Again, she specializes in the intensely personal and the passions of individuals bound together by fate and circumstance. She figured out how to talk about people whose lives are dangerously lived on the fringes of society: people whose loves or families or other priorities are inescapable by them and intolerable to society. If that isn’t compelling character design, I don’t know what is. Her descriptions are just to die for.

The third tie for favorite is Isaac Asimov. Lots of people find him dry and scientific but that’s part of what’s so amazing about him: his characters have passionate motivations derived almost entirely from their own intellectual pursuits. He didn’t write novels about people who come into conflict and meet with successes or failures just to provide events in a soap opera: his characters are chasing ideas.

Last, H.P. Lovecraft was just amazing. He’s considered to be incredibly creative, but it’s actually possible to see lots of earlier authors’ work in his own output. That isn’t to say he wasn’t creative, though. He worked slavishly to combine his own ideas and interests with a highly concentrated selection of the best and most intriguing ideas he encountered – as every writer does – to come up with something entirely new. I think there’s an argument to be made that he invented the horror/sci-fi crossover. Without him, our shelves would be much thinner, much less interesting. There would be no Alien, no X-Files and countless stories in between.

Fiona: Do you have to travel much concerning your book(s)?

I do very few in-person events, though I would love to do more. I love traveling and I love sharing my stories with new people and getting to seek inspiration from those places. Every time I go somewhere I find myself seeing it through my characters’ eyes. Withrow loves Scotland; his cousin Roderick prefers Key West.

Fiona: Who designed the covers?

The covers for The Withrow Chronicles have all been done by John Ward.

Fiona: What was the hardest part of writing your book?

In the case of “Daddy Used to Drink Too Much”, it was definitely editing it down to the word count limit Sekhmet Press placed on submissions! Ha! I tend to be verbose. (Can you tell?) On the other hand, that was good, important work. It helped me come up with a voice I hadn’t used much before. Withrow is a rambler but the narrator of “Daddy Used to Drink Too Much” is much more terse.

Fiona: Do you have any advice for other writers?

Write. Do not let yourself get caught up in anything that is a distraction from writing. Lots of writing groups and writing circles and meetups and the like exist for writers and they are all, in my experience, a way to prevent one’s self from doing actual writing. They are a way to talk about writing and pretending that’s as good as writing. Avoid that trap.

Fiona: Do you have anything specific that you want to say to your readers?

It’s my hope that my work makes them a little uncomfortable and a little intrigued and a lot entertained. I want my readers to like my characters enough to follow them into the darkness so I can show them something new once we’re there. It is so flattering when that happens: when a reader connects with my work and makes me feel it was worthwhile. I cannot overstate my appreciation for the generosity they show by giving me their time and attention and I sincerely thank them.

READ MORE HERE